woensdag 10 juni 2026

Richard Swan: The Justice of Kings

Hi everyone

The Justice of Kings is the first book in the Empire of the Wolf series by Richard Swan.
This book was a gift from my parents some time ago.

"The Empire of the Wolf simmers with unrest. Rebels, heretics and powerful patricians all challenge the power of the imperial throne.
Only the Order of Justices stands in the way of chaos. Sir Konrad Vonvalt is the most feared Justice of all, upholding the law by way of his sharp mind, arcane powers and skill as a swordsman. At his side stands Helena Sedanka, his clerk and protégé, orphaned by the wars that forged the empire.
When the pair investigate the murder of a provincial aristocrat, they unearth a conspiracy that stretches to the very top of imperial society. As the stakes rise and become ever more personal, Vonvalt and Helena must make a choice: will they abandon the laws they've sworn to uphold in order to protect the empire?"

I didn’t really enjoy this book.

My biggest problem was the constant foreshadowing of bad things to come; things getting worse, danger lurking around every corner. It’s on almost every page, and I hate it when authors do that. Richard Swan might think he’s creating tension or a sense of anticipation, but for me, he’s only creating aggravation.

Second, the book was rather boring. I’m not a huge fan of murder mysteries, but I do enjoy them from time to time. The issue here wasn’t the genre; it was the writing and conversations, which were bland and unengaging. Swan goes on and on about the legal stuff, and while the idea of a traveling justice system is intriguing and fresh, it slows the story down too much. There’s not much going on, the plot gets chopped into pieces, and the characters go back and forth without progress. The book is way too long for the story it tells.

Third, I despised Helena’s insta-love story and how immature she was. She meets this boy, they fall in love, say "I love you", imagine spending their lives together, and talk about marrying and having children; all in maybe four meetings? I fully expected her to throw multiple temper tantrums throughout the book. All she does is fall in love, cry, feel hurt, and be angry. For someone who is supposed to be a rough street child, she acts like a spoiled, weak, unskilled weasel.
And what’s going on between Vonvalt and Helena? Sexual tension gets hinted at, love gets hinted at, but also a father-daughter bond. What is it? I sure hope it’s the last one, because if it’s not… yikes.

The Justice of Kings is about Konrad Vonvalt, but it’s written from the POV of Helena Sedanka (which was weird for me, reading my own name in a book!). I thought that was an excellent idea because Konrad’s POV would have been too dry and boring, so reading from Helena’s perspective was a great solution.
I also enjoyed the world and the magic. Both are minimal but really well written and interesting enough to keep me reading. I love fantasy novels where characters travel around and meet different people, and this book delivered that.
The idea of a system of judges who travel around to all the small towns was a great concept; something I never thought about in other books. It’s fresh and intriguing to see how justice would be administered in such a world.

The Justice of Kings had some great ideas, but the execution fell flat for me. The foreshadowing, bland writing, and Helena’s immaturity made it hard to enjoy.

Have you read The Justice of Kings? Did you enjoy it more than I did, or did you feel the same way? I’d love to hear your thoughts!

Happy reading!
Helena 

zaterdag 6 juni 2026

Ilona Andrews: Magic Slays

Hi everyone

Magic Slays is the fifth book in the Kate Daniels series by Ilona Andrews. I read this on my e-reader, though I’d love to own a physical copy of the series; if only I could find all the books in print!

"Kate Daniels may have quit the Order of Merciful Aid, but she’s still knee-deep in paranormal problems. Or she would be if she could get someone to hire her. Starting her own business has been more challenging than she thought it would be—now that the Order is disparaging her good name, and many potential clients are afraid of getting on the bad side of the Beast Lord, who just happens to be Kate’s mate.
So when Atlanta’s premier Master of the Dead calls to ask for help with a vampire on the loose, Kate leaps at the chance of some paying work. Turns out this is not an isolated incident, and Kate needs to get to the bottom of it—fast, or the city and everyone dear to her might pay the ultimate price ..."

I can’t really put my finger on why this book didn’t grip me as much as the previous ones. I enjoyed my time reading it, but I never felt compelled to keep going.
Magic Slays is just as fun, entertaining, action-packed, and fast-paced as ever; it just felt a bit off.

I thought there was too much going on mythology-wise. The addition of Baba Yaga on top of everything else felt a bit gimmicky to me.
I’m also not sure if I’ll enjoy the relationship between Curran and Kate now that they’re actually in a relationship. If they keep second-guessing each other, setting rock-hard boundaries, and then breaking them, it might get frustrating rather than romantic.

Still, Magic Slays was a solid entry in the series. It didn’t blow me away, but it kept me entertained. Have you read Magic Slays? Did you feel the same way, or did it grip you more than it did me? I’d love to hear your thoughts!

Happy reading!
Helena

woensdag 3 juni 2026

Stephen Aryan: The Warrior

Hi everyone

The Warrior is the second and the last book in the Quest for Heroes duology by Stephen Aryan
I got my book from Bol.

"Bound, by duty and responsibility, Kell is King only in name. Trapped in a loveless marriage, he leaves affairs of state to his wife, Sigrid. When his old friend, Willow, turns up asking him to go on a journey to her homeland he can't wait to leave.
The Malice, a malevolent poison that alters everything it infects, runs rampant across Willow's homeland. Desperate to find a cure her cousin, Ravvi, is willing to try a dark ritual which could damn her people forever. Journeying to a distant land, Kell and his companions must stop Ravvi before it's too late. While Kell is away Reverend Mother Britak's plans come to a head. Queen Sigrid must find a way to protect her family and her nation, but against such a ruthless opponent, something has to give..."
 

While I really enjoyed The Coward (the first book in the series) The Warrior was nowhere near as good.

First, the premise was good, but it wasn’t clearly worked out. There were so many questionable things happening, so many strange decisions made just to move the plot forward, and so many things left unexplained. It was also a surprisingly sad book, which I didn’t see coming.

Second, Willow’s character, her background, her culture, her people, and her world were barely expanded upon, even though she’s one of the maincharacters in this book. We learn a bit more about her people, but not much, and this was one of the main reasons I wanted to read this book. I was really looking forward to diving deeper into their way of life, but it never happened. That was a real letdown.

Kell and Willow’s journey was actually quite boring. There’s endless talk about The Malice, incessant instances of characters losing themselves to it, and a few action scenes in between. I loved the action scenes, but they were too few and far between.
Odd was such an interesting character, but just like Willow, we don’t really get to know him. What is The Hunger exactly (an infection, an alien, something else?)? Where does it come from? Can it be cured? We don’t know. Odd felt like a strange addition to this cast, as if he didn’t belong in this story but would work much better in a totally different series.

Lastly, the pacing was off. Kell’s story was much too slow, Sigrid’s story was too fast, and the ending came kind of out of nowhere. Within 15 pages, everything is over, and everyone is miraculously at the right place at the right time. It felt rushed and unsatisfying.

The main reason I kept reading was Stephen Aryan’s writing. His prose is very easy to read; engaging, accessible, and enjoyable. There’s not too much drama, which I always appreciate. No endless whining or romantic mooning, just straightforward, compelling storytelling.
I also really liked Sigrid’s journey and growth. Her struggles with the people of The Faith and the arising questions about where this religion is going were really well done. Her story felt a bit rushed to be fully believable, but it was still one of the highlights of the book.

All in all, The Warrior is not a bad book, but it felt like a missed opportunity.

Have you read The Warrior? Did you enjoy it more than I did, or did you feel the same way? I’d love to hear your thoughts!

Happy reading!
Helena 

maandag 1 juni 2026

Wrap Up: May 2026

Hi everyone

May is my favorite month of the year. There’s lots of sunshine, warmer weather (but not too hot for a walk), and flowers and greenery everywhere, so what’s not to love? 

Here’s what I finished this month:

- Lara Taveirne: De kinderen van Calais

- Rebecca Yarros: Fourth Wing

- Shauna Lawless: The Words of Kings and Prophets 

- John Scalzi: Redshirts

- Harriet Muncaster: Isabella Maan gaat logeren

- Kristin Hannah: The Great Alone

- Gareth Brown: The Book of Doors

- Ben Aaronovitch: Tales from the Folly 

Sadly, I did not finish two books:

- Ferdia Lennon: Glorious Exploits

- Ken Liu: The Grace of Kings 

Did you read any of these? Loved them, hated them, or somewhere in between? Let me know, I’d love to hear your thoughts! 

Happy reading!
Helena  

donderdag 28 mei 2026

Ben Aaronovitch: Tales from the Folly

Hi everyone

Tales from the Folly is a collection of short stories set in the world of Rivers of London. I received my copy as a gift from my parents, and it even has Ben Aaronovitch’s signature!

"Return to the world of Rivers of London in this first short story collection from #1 Sunday Times bestselling author, Ben Aaronovitch. Tales from the Folly is a carefully curated collection that gathers together previously published stories and brand new tales in the same place for the first time.
Each tale features a new introduction from the author, filled with insight and anecdote offering the reader a deeper exploration into this absorbing fictional world. This is a must read for any Rivers of London fan.
Join Peter, Nightingale, Abigail, Agent Reynolds and Tobias Winter for a series of perfectly portioned tales. Discover what’s haunting a lonely motorway service station, who still wanders the shelves of a popular London bookshop, and what exactly happened to the River Lugg…"

This collection of short stories was okay, but nothing special, to be honest.

In my opinion, short stories aren’t Aaronovitch’s strongest suit, and you can definitely tell these are his first attempts at the format. They lack the humor, flair, and atmosphere we’ve come to love and expect from his full-length Peter Grant novels. The setting is as wonderful as ever, the characters are lovely and the magic is great. But they don't shine in this collection.
The stories just cut off. They stop abruptly, and every time, I was left feeling like I was missing something. There’s no satisfying resolution or proper closure, just a sudden end that leaves you wanting more.

In short, Tales from the Folly is an enjoyable collection that adds extra background to some of the Rivers of London characters. But if you’re looking for the same depth, wit, and charm as the main series, you might find this a bit lacking. 

Have you read Tales from the Folly? Did you enjoy it more than I did, or did you feel the same way? I’d love to hear your thoughts!

Happy reading!
Helena 


dinsdag 26 mei 2026

Gareth Brown: The Book of Doors

Hi everyone

The Book of Doors is Gareth Browns debut novel. I read this on my e-reader. 
The premise is intriguing, but unfortunately, the execution fell flat for me.

"In New York City, bookseller Cassie Andrews is living an unassuming life when she is given a gift by a favourite customer. It's a book—an unusual book, full of strange writing and mysterious drawings. And at the very front there is a handwritten message to Cassie, telling her that this is the Book of Doors, and that any door is every door. 
What Cassie is about to discover is that the Book of Doors is a special book that bestows an extraordinary powers on whoever possesses it, and soon she and her best friend Izzy are exploring all that the Book of Doors can do, swept away from their quiet lives by the possibilities of traveling to anywhere they want. 
But the Book of Doors is not the only magical book in the world. There are other books that can do wondrous and dreadful things when wielded by dangerous and ruthless individuals—individuals who crave what Cassie now possesses. 
Suddenly Cassie and Izzy are confronted by violence and danger, and the only person who can help them is, it seems, Drummond Fox. He is a man fleeing his own demons—a man with his own secret library of magical books that he has hidden away in the shadows for safekeeping. Because there is a nameless evil out there that is hunting them all... 
Because some doors should never be opened."
 

First, the writing style; or more specifically, how Gareth Brown writes women. He falls into the classic trap of having his "heroine" stare into a mirror and describe herself, including unnecessary details like her breast size and everything she supposedly hates about her appearance. I hate when authors do this. What do her breasts have to do with the story? Why does the other woman feel disgusting for eating carbs? There are so many strange, unnecessary comments that pulled me out of the story.
And then there’s Cassies trip to the past. She ages 10 years, and suddenly she’s in her thirties, complaining about being old, grey, and sagging. Please. As someone who actually is in her thirties, I can tell you; this is not how it works and it's insulting. And how is it possible to live somewhere for 10 years without a job, an identity, or any kind of life? What did she do all day? Why didn’t she take up boxing or learn a skill that might help her survive? It made no sense.

I didn’t care for any of the characters. They were all one-dimensional, lacking proper motivations, and without much background or growth. I couldn’t care less whether someone lived or died.

Some (okay, a lot) of the choices the characters made were just plain stupid. Sending a cold-hearted killer back in time instead of just killing him? Absolutely asinine, especially in a book where time travel exists. And did they really think the villain wouldn’t notice her books were gone? It felt like the characters were making decisions just to move the plot forward or in a certain way, not because it made any logical sense.
I would have loved to find out more about the other magical books. What were they capable of? How did they come to belong to someone? The concept was so cool, but it was barely explored. It felt like a wasted opportunity.

And finally, finding out why the villain became the bad one was a really strange decision. I like that we got some background, but not this background. It made the "heroes" seem just as bad, and I really don’t understand Brown’s reasoning here. It undermined the moral clarity of the story.

The Book of Doors had so much potential with such an intriguing premise, but it fell short in almost every way. The writing, characters, and plot choices were frustrating, and the worldbuilding was underdeveloped. It’s a shame, because the premise is so interesting.

Have you read The Book of Doors? Did you enjoy it more than I did, or did you struggle with the same issues? I’d love to hear your thoughts!

Happy reading!
Helena 

vrijdag 22 mei 2026

Kristin Hannah: The Great Alone

Hi everyone

I just finished The Great Alone by Kristin Hannah. It was a New Year’s gift from my parents, who traditionally give us one or two books to celebrate the start of a new year. A tradition I wholeheartedly stand behind!

"Alaska, 1974
Ernt Allbright came home from the Vietnam War a changed and volatile man. When he loses yet another job, he makes the impulsive decision to move his wife and daughter north where they will live off the grid in America’s last true frontier.
Cora will do anything for the man she loves, even if means following him into the unknown. Thirteen-year-old Leni, caught in the riptide of her parents’ passionate, stormy relationship, has little choice but to go along, daring to hope this new land promises her family a better future.
In a wild, remote corner of Alaska, the Allbrights find a fiercely independent community of strong men and even stronger women. The long, sunlit days and the generosity of the locals make up for the newcomers’ lack of preparation and dwindling resources.
But as winter approaches and darkness descends, Ernt’s fragile mental state deteriorates. Soon the perils outside pale in comparison to threats from within. In their small cabin, covered in snow, blanketed in eighteen hours of night, Leni and her mother learn the terrible truth: they are on their own."

This book was a mix of highs and lows for me.

I fell in love with the setting. Alaska, the small towns, the homesteads, the magnificent nature; it was all absolutely gorgeous. Kristin Hannah has a real talent for creating a story with characters you want to know better and a way of life that feels both foreign and fascinating. I loved how she brought it all to life, and the atmosphere was captivating.
I really enjoyed reading about their lives; the homesteading, the school life, the isolation, and the struggle to survive the winters. It was immersive and compelling.
The love story was fine. It wasn’t overly dramatic or over the top, and I loved that they were friends first. Their love felt natural and earned.

The first half of the book was amazing. But after that, it really went downhill.

The mother-daughter relationship amid the domestic abuse felt wrong. Hannah portrays Leni and Cora as having this perfect, almost telepathic connection, where they intuitively understand each other’s thoughts and feelings. But that doesn’t ring true for me. This is clearly a co-dependent relationship, especially from Cora’s perspective. Cora always puts her husband and her own desires before Leni, and as Leni grows up, she never expresses anger or resentment toward her mother for not leaving her father, even when others are clearly willing to help them. Instead, Cora makes Leni responsible for the abuse, telling her to be careful and not selfish or he will become agressive.
I found Ernt believable; his PTSD, the abuse stemming from it, and Cora’s decision to stay with him felt realistic for the time period. We know so much more about PTSD and therapy now, but back then, options were limited. That said, I wish we’d gotten more insight into his mind; his struggles, his thoughts, his demons.

The part after the accident felt off. I couldn’t understand why Leni would cut off all contact with Matthew’s family after writing him letters every week for years. She could have stayed in touch with his father or sister. No contact at all just doesn’t fit with her character before the accident. I get that they feared being tracked, but I’m sure Hannah could have found a way for Leni to stay connected without risking her safety.
And the part after Cora’s death was way too dramatic and overstuffed with events. The lovely, slow pace of the first half gave way to a few chapters that were too fast, too chaotic, and too much.

The medical stuff was laughable. As someone with a background in midwifery, I couldn’t overlook the glaring mistakes: pulling out your own IV with no bleeding, no nurses in sight in the ICU, no badge required to enter the ICU? My inner midwife was screaming.

I have an 8-year-old daughter at home, and she doesn’t act or talk like MJ. MJ sounds and acts like a much younger child (reading by sounding out words, not reacting when his mom talks about killing her dad, his way of playing). It didn’t feel authentic at all.

Lastly, every bad thing that could happen, did happen in this book. Kristin Hannah piles on the tragedy, and it gets old quickly. There was no need for so much misery and catastrophe. In fact, I think the story of the abuse and the setting would have been more impactful if it had been a bit more realistic in its scope. The story went downhill after the accident, and by that point, I was done with all the bad decisions, accidents, and disasters.

The Great Alone had so much potential, and the first half was incredible. But the second half really let me down. It’s still a beautifully written, atmospheric novel, but it could have been so much more.

Have you read The Great Alone? Did you love it, or did you struggle with the same issues I did? I’d love to hear your thoughts! Should I read anything else by Kristin Hannah?

Happy reading!
Helena 

zaterdag 16 mei 2026

John Scalzi: Redshirts

Hi everyone

After Old Man’s War didn’t quite click with me, I decided to give John Scalzi another chance. I picked up Redshirts; his most popular novel on Goodreads (after Old Man’s War) and read it on my e-reader. 
John Scalzi is hilarious over on Bluesky so go check him out!

"Ensign Andrew Dahl has just been assigned to the Universal Union Capital Ship Intrepid, flagship of the Universal Union since the year 2456. It’s a prestige posting, and Andrew is thrilled all the more to be assigned to the ship’s Xenobiology laboratory.
Life couldn’t be better…until Andrew begins to pick up on the fact that:
(1) every Away Mission involves some kind of lethal confrontation with alien forces
(2) the ship’s captain, its chief science officer, and the handsome Lieutenant Kerensky always survive these confrontations
(3) at least one low-ranked crew member is, sadly, always killed.
Not surprisingly, a great deal of energy below decks is expended on avoiding, at all costs, being assigned to an Away Mission. Then Andrew stumbles on information that completely transforms his and his colleagues’ understanding of what the starship Intrepid really is…and offers them a crazy, high-risk chance to save their own lives. "

This book was a lot of fun. It’s not deep, and it doesn’t try to be (at first) it’s a lighthearted, entertaining space adventure packed with hilarious interactions, absurd situations, and just a dash of philosophy. It honestly made me laugh out loud, and there aren’t many writers who can pull that off (Terry Pratchett, of course, is one of them).
The writing is smooth and engaging, making it hard to put down. The story flows effortlessly, and the humor and wit keep you hooked. It’s the kind of book you pick up for a quick chapter and end up reading for hours because it’s just so entertaining.

My only real complaint is the codas at the end. They added nothing to my enjoyment, in fact, they detracted from it. I understand Scalzi was trying to make the book more thought-provoking, but the shift in style was so jarring that it didn’t work for me. The main story was so strong and hilarious that the codas felt unnecessary and out of place.

Have you read Redshirts? Did you enjoy the codas, or did you feel the same way I did? I’d love to hear your thoughts!

Happy reading!
Helena

donderdag 14 mei 2026

Shauna Lawless: The Words of Kings and Prophets

Hi everyone

The Words of Kings and Prophets is the second book in the Gael Song Trilogy by Shauna LawlessMy husband gifted it to me for my birthday because he saw how much I loved the first book, The Children of Gods and Fighting Men. And let me tell you; this one was just as incredible. 

"Ireland, 1000 AD. Gormflaith is unhappily married to Brian Boru, High King of Ireland, and although a queen she struggles with her limited position. As an immortal Fomorian with the secret gift of magic, Gormflaith has a burning to find and destroy the hidden fortress of her sworn enemies, the Descendants, who seek to kill her kind at all costs. She begins to use her magical powers, and discovers she is more skilled than she ever realised... but can she control what she will become?
Meanwhile Fódla, the Descendants' healer, mourns her banished sister but clings to life as the guardian of her young nephew. She seeks a place of safety for them both, but he has secrets of his own that could threaten everything – and Fódla must do all in her power to keep him hidden away from those who would use him for evil.
When a mysterious man comes to King Brian's court, his presence could spell disaster or deliverance for both Gormflaith and Fódla – and for Ireland herself. For he is Tomas, an ambitious immortal with few scruples – and he will do anything to see his plans become reality. Soon, mortals and immortals alike are drawn towards a bitter conflict that could decide the future of Ireland and all her people."

I loved this book.

Just like the first book, this story isn’t non-stop action with a super-fast plot or a hundred things happening at once. Instead, we get a thoroughly thought-out, highly character-driven narrative with wonderful worldbuilding and a rich history. The characters are especially outstanding; every single one of them feels like a unique person, with their own thoughts, feelings, and motivations. They’re never just there to serve the plot or as a means to an end.
I especially loved how Lawless wrote Fódla’s growth and agency. The way she realizes and acts on her own thoughts, feelings, and suspicions; instead of being held back by others’ plans for her; was so satisfying. She’s come a long way since the first book.
Gormflaith, on the other hand, is devilish, ruthless, and cunning, yet Lawless writes her in a way that lets you understand her actions and feelings. That’s the mark of a truly skilled writer. Every time one of her chapters started, I dreaded reading from her POV because I hate her so much, but within a few sentences, I was fully engaged again. She’s a complex, morally gray character and truly deserving of her role as a main character.

I felt the tension in my body every time characters crossed paths in this book. The anticipation of what could be revealed, the possible reactions; Shauna Lawless builds suspense like a master. There are twists and turns throughout, and I never felt bored or able to predict what would happen next.
This book was so hard to put down, and I’m so excited to read the third book in the Gael Song Trilogy very soon!

Shauna Lawless writes love stories the way I love to read them: slow, profound, and real. Not obsessed with physical attraction, not overly flowery or nauseatingly dramatic. After reading Fourth Wing by Rebecca Yarros, The Words of Kings and Prophets felt like a breath of fresh air.

Have you read The Words of Kings and Prophets? Did you love it as much as I did, or did you have a different experience? I’d love to hear your thoughts! 

Happy reading!
Helena 

maandag 11 mei 2026

Rebecca Yarros: Fourth Wing

Hi everyone

Fourth Wing; the first book in The Empyrean series by Rebecca Yarros, has been everywhere lately. Even though I’m always skeptical of hyped books, I like to try them for myself and see if the buzz is justified. So, I decided to read it on my e-reader.

"Twenty-year-old Violet Sorrengail was supposed to enter the Scribe Quadrant, living a quiet life among books and history. Now the commanding general—also known as her tough-as-talons mother—has ordered Violet to join the hundreds of candidates striving to become the elite of Navarre: dragon riders. 
But when you’re smaller than everyone else and your body is brittle, death is only a heartbeat away...because dragons don’t bond to “fragile” humans; they incinerate them. With fewer dragons willing to bond than cadets, most would kill Violet to better their chances of success. The rest would kill her just for being her mother’s daughter—like Xaden Riorson, the most powerful and ruthless wingleader in the Riders Quadrant. She’ll need every edge her wits can give her just to see the next sunrise.
Yet with every day that passes, the war outside grows deadlier; the kingdom's protective wards are failing; and the death toll continues to rise. Even worse, Violet begins to suspect leadership is hiding a terrible secret."
 

This book is marketed as New Adult (ages 18–29), but I’d argue it feels more like Young Adult (ages 12–18) in terms of story, language, and characters (except for the sex scenes, which push it into the NA category).
But here’s the thing: this book is just… not good.

First, the plot feels like a copy-paste of Divergent, Harry Potter, and The Hunger Games. I didn’t find anything original here. There are so many questionable plotlines that pulled me out of the story: Why train the children of traitors to be competent soldiers? What kind of stupid decision is that?
How convenient that Violet has a super rare signet and bonds with two super special dragons; something never heard of before. And of course, one of those dragons is bonded to Xaden, because of course it is. I hate when characters are just “the chosen one” or “the special one”, it feels lazy and unearned.
Violet is supposed to have a weak, brittle body due to chronic pain, but she somehow accomplishes all these physical challenges without much issue. I appreciate that Rebecca Yarros included a character with chronic pain, but it’s only mentioned in passing; never explored in a way that shows how it actually complicates her life and movements. This isn’t how you raise awareness for disability; it’s how you use it as a superficial trait.

Second, the writing is inconsistent both in style and timeline and there’s absolutely no worldbuilding.
The characters are one-dimensional and read like teenagers. They’re also complete copies of characters from other books (Divergent, A Court of Thorns and Roses). And from the moment Violet meets Xaden, you already know exactly how this will play out. There’s never a surprise in this book.
I did like the dragons and their dialogue, though that was one bright spot in an otherwise frustrating read.

And lastly, the book hyperfocuses on Violet’s physical and sexual attraction to Xaden. Every page, she’s thinking about him, yearning for his touch, his body, his breath. It’s honestly nauseating. And from the start, there’s this weird sexual tension triangle with Dain added to the mix. If this is typical for Romantasy novels, then the genre is not for me, because I hated this.

Have you read Fourth Wing? Did you love it, or did you feel the same way I did? I’d love to hear your thoughts!

Happy reading!
Helena 

About me

Hi everyone

I just edited the 'About me' section and I wanted to post the new text here too because you might not scroll so far to read it.

            * * * * * 

Hi everyone

Ever since I can remember, I’ve loved reading. There’s something magical about every part of it; owning books, organizing them, diving into their pages, admiring their covers, rereading old favorites, talking about them endlessly, researching new ones, and seeing them lined up on my shelves. Books have always been a source of joy, comfort, and adventure for me.

I’m not a professional; I didn’t study literature or languages, and I don’t claim to have all the answers about the books I read. But what I do have is a deep love for stories and the people who write them. My hope is to share that love with others, to pay it forward, and to connect with fellow book lovers who feel the same way.

Since I’m from Belgium, my native language is Dutch, not English, so please keep that in mind while reading my blog. I’ll do my best to share my thoughts clearly, but I know my writing might not always be perfect.

And I’d love to hear from you; which books should I read next? What are your favorites? Let’s swap recommendations and discover new stories together!

If you’d like, you can connect with me on:
- Goodreads
- Bluesky

I hope you enjoy this blog, and happy reading!
Helena  

woensdag 6 mei 2026

Lara Taveirne: De kinderen van Calais

Hi everyone

I just finished De kinderen van Calais by a Belgian author; Lara Taveirne. This book, as far as I know, has never been translated into English. I borrowed my copy from our local library, and it left me with very mixed feelings.

"Wissant, Noord-Frankrijk, de jaren zestig. Urenlang gingen ze gebukt op zoek naar de mooiste schelpen. Ze konden gelijktijdig en achterwaarts over de golven duiken. Ze hadden allebei een kamer waar je de zee kon horen ruisen, als de wind goed zat. Lilith en Violaine waren wat men noemt hartsvriendinnen. Onafscheidelijk. Samen kochten ze hun eerste bikini. En het was hand in hand dat ze naar de rand liepen.
Cap Blanc Nez, 1976. Beneden aan de kliffen wordt Violaine gevonden. 135 meter hoger staan twee boekentassen.
De kinderen van Calais is een debuut van zelden geziene ambitie. De auteur ontleedt en amputeert liefde in al haar facetten: moederliefde, zussenliefde, naastenliefde. Allesverterende liefde. De suizende tragiek van dit verhaal, als in een val van 135 meter hoog, doet voortdurend naar adem happen en heeft maar één vraag: hoe dicht kun je bij iemand komen zonder jezelf te verliezen?"
 

I feel as if De kinderen van Calais was written by two different writers at the same time.
There’s one writer who makes me care deeply for the characters, who crafts beautiful, poetic sentences, and who creates well-rounded, realistic characters that make you reflect on life, love, and loss. This writer draws you in with their emotional depth and lyrical prose, making you feel the tragedy of Lilith and Violaine’s story and life.
But then there’s another writer too, one who feels crude, crass and vulgar, who writes a boring, surface-level story that lacks depth. This writer mess up the plot, overloads the text with too many adjectives, and creates one-dimensional characters that fail to resonate.

It’s frustrating to see such potential in this book, only to have it undermined by its own inconsistencies. The beautiful moments are truly stunning, but they’re buried under layers of clutter that detract from the experience; the tragedy of the story and these people's lives.

Have you read De kinderen van Calais? Or have you come across a book that made you feel similar? I’d love to hear your thoughts!

Happy reading!
Helena 

zaterdag 2 mei 2026

Wrap Up: April 2026

Hi everyone

April was a month of contrasts. There was stress, sleepless nights, anxiety, and bleak moods; but there were also wonderful moments with my husband and children, more sun than I expected, the spring flowers (always make me happy), and the promise of a new start. Through it all, I read a lot (the upside of having trouble sleeping, I suppose)! 😊 Honestly, this was a great reading month. I stumbled upon some really, really good books that made everything feel a little lighter. And that was much needed. 

Here's what I read in April:

- Brian McClellan: The Autumn Republic 

- Jonice Webb: Running on Empty 

- Eowyn Ivey: Black Woods, Blue Sky 

- Dennis E. Taylor: Roadkill  

- Jim Butcher: Twelve Months  

- Ernest Hemingway: The Torrents of Spring 

- Jonice Webb: Running on Empty No More 

- John Gwynne: The Fury of the Gods

- Naomi Alderman: The Power 

What did you read in April?  I’d love to hear about your books. Let’s swap recommendations!

Happy reading!
Helena 

vrijdag 1 mei 2026

Naomi Alderman: The Power

Hi everyone

I just finished The Power by Naomi Alderman; her most popular novel, and after enjoying The Future, I knew I had to read this one too.
I read this on my e-reader.

"In The Power the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; and a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. With this small twist of nature, the world drastically resets."

I thoroughly enjoyed The Power, but it was also a deeply unsettling journey. Alderman flips gender roles and gender dynamics in a way that’s both fascinating and horrifying. The premise is simple but the ripple effects across the whole world are chilling and terrifying. Every act of brutality or dehumanization towards women in the history of humanity is returned and revenged.
The characters are vivid and complex, each offering a unique perspective on how this new power changes society. Alderman doesn’t hold back in showing how power corrupts, not a specific gender, and how quickly the world can change when the balance shifts.

I enjoyed the first half more, where we discover this new power and watch as women begin to stand up. The second half, where society collapses entirely, felt less compelling to me. The misuse of power, mindless violence, and aggression didn’t land as strongly, and some of the character perspectives that were fascinating at first became less engaging as the story progressed. Others, which started less interesting, gained depth later. Many of the characters verged on clichés or stereotypes, and there wasn’t much depth to them beyond their role in advancing the plot. Additionally, the global rebellion felt too fast to be realistic; the world changed too quickly for me to fully buy into it.

Despite its flaws, The Power lingers in your mind long after you’ve finished it. I loved how thought-provoking it was, and it deeply unsettled me. It’s the kind of book that makes you see the world differently, and that’s exactly why it’s so good. But it’s also oversimplified, both in story and characters.

Have you read The Power? Did it leave you as unsettled as it did me, or did you see it differently? I’d love to hear your thoughts!

Happy reading!
Helena 

donderdag 30 april 2026

John Gwynne: The Fury of the Gods

Hi everyone

I finished John Gwynne's The Fury of the Gods yesterday and I have to talk/gush about it. This is the third and final book in The Bloodsworn Saga and I got my copy from Bol

"THE FINAL BATTLE FOR THE FATE OF VIGRIÐ APPROACHES
Varg has overcome the trials of his past and become an accepted member of the Bloodsworn, but now he and his newfound comrades face their biggest challenge yet: slaying a dragon.
Elvar is struggling to consolidate her power in Snakavik, where she faces threats from within and without. As she fights to assert her authority in readiness for the coming conflict, she faces a surely insurmountable task: reining in the ferocity of a wolf god.
As Biorr and his warband make their way north, eager for blood, Gudvarr pursues a mission of his own, hoping to win Lik-Rifa's favour and further his own ambitions.
All paths lead to Snakavik, where the lines are being drawn for the final battle - a titanic clash that will shake the foundations of the world, and bear witness to the true fury of the gods."

This was such a satisfying conclusion. I loved it from start to finish. 

The Fury of the Gods delivers everything you’d expect from a Gwynne finale: brutal battles, heart-wrenching deaths, and a fantastic climax. 
The action is relentless, and Gwynne’s talent for writing action-scenes and battles in particular shines through every time. He doesn’t shy away from the cost of war, and its emotional toll on the characters. 

Each character’s arc feels satisfying, their motivations (whether noble or selfish) drive the story forward. The final confrontations are everything I hoped for, with shocking deaths I didn’t see coming. I mean, quite a few people die who I didn’t want to die! The worldbuilding remains rich, alive, and immersive, and there was one scene where Elvar makes a crucial decision that brought tears to my eyes.
 
This series is perfection in every way.

If you loved The Shadow of the Gods and The Hunger of the Gods, The Fury of the Gods won’t disappoint. It maintains The Bloodsworn Saga’s signature blend of Norse-inspired mythology, brutal action, and deep character work. 
Whatever John Gwynne writes, I'll buy it and I'll read it. I'm a huge fan of his works.

Have you read Fury of the Gods? Did you love the finale, or did you wish for something more? I’d love to hear your thoughts!

Happy reading!
Helena 

maandag 20 april 2026

Jim Butcher: Twelve Months

Hi everyone

Twelve Months is the 18th book in The Dresden Files by Jim Butcher. I don’t own this one yet (I’ll be buying my own copy once it’s published in the same edition as the rest of my collection), but my dad kindly lent me his after we talked about our shared love for this series. 

"One year. 365 days. Twelve months.
Harry Dresden has been through a lot, and so has his city. After Harry and his allies narrowly managed to save Chicago from being razed, everything is different—and it’s not just the current lack of electricity.
Harry lost people he cared about in the battle, and that’s the kind of loss that takes a toll. Harry being Harry, he’s doing his best to help the city and his friends recover and rebuild, but it’s a heavy load. He needs time.
Time is one thing Harry doesn’t have, however. Ghouls are prowling Chicago and killing innocent civilians. Harry’s brother is dying, and Harry doesn’t know how to help him. And last but certainly not least, the Winter Queen of the Fae has allied with the White Court of vampires—and Harry’s been betrothed to the seductive, deadly vampire Lara Raith to seal the deal.
It’s been a tough year. More than ever, the city needs Harry Dresden the wizard—but after loss and grief, is there enough left of him to rise to the challenge?"

Twelve Months is very different from the previous books in The Dresden Files. The series has gradually changed and grown over the years. Each book gets darker, the stakes get higher, and the scope expands. Where the early books often felt like fun, action-packed standalone adventures, we’re now at a point where you can’t fully grasp what’s happening without the context of the entire series.
This book is all about what happens after. It follows the destruction of Chicago, the loss of loved ones, and the shattered friendships left in the wake of the previous battle in the 17th book Battle Ground. Harry Dresden is clearly suffering from PTSD, and the story focuses on grief, healing, and the slow, painful process of rebuilding, both personally and the city. It’s contemplative, reflective, and at times downhearted, even hopeless. There were moments that brought tears to my eyes, not just because of the emotional weight, but because of how real it all felt.
As someone who has struggled with depression, Harry’s journey resonated deeply with me. The way he drags himself through each day, the weight of his depression/grief, and the effort it takes just to keep going, it all felt painfully familiar. I think this was a perfect novel to follow up the big battle in Battle Ground. It doesn’t rush the healing process; it acknowledges that recovery takes time, and that’s refreshing and honest. A lot of novels don't even talk about the aftermath of total destruction, instead by the next book nothing is ruined and everyone has healed. Not here; Jim Butcher gives us this insight into his characters.

That said, I struggled with the extreme focus on Harry’s grief for Murphy. While it’s understandable that her loss hits him hard, it felt too narrow. Harry lost so many people in that battle; friends, allies, innocent civilians, his home and his city; yet the story centers almost exclusively on Murphy. The destruction of Chicago, the trauma of the common people, and the loss of other loved ones feel sidelined, and that didn’t sit right with me. It made his grief feel unbalanced, as if only one loss mattered above all others.
Still, I loved seeing the side characters again and watching how they’re healing alongside Harry. The overarching storyline does move forward, and there’s plenty of action, just on a smaller, more personal scale. The book never gets boring, even in its quieter moments.

Have you read Twelve Months? Did you connect with Harry’s journey, or did you feel the same frustration with the focus on Murphy? I’d love to hear your thoughts!

Happy reading!
Helena 

dinsdag 14 april 2026

Dennis E. Taylor: Roadkill

Hi everyone

Roadkill is a standalone science-fiction novel by Dennis E. Taylor. I read this on my e-reader.

"Jack Kernigan is having a bad day...a bad year...a bad life. After being booted out of MIT, he’s back in his Ohio hometown, working for the family business, facing a life of mediocrity. Then one day, out on a delivery, his truck hits...something. Something big...something furry...something invisible. And, it turns out, something not of this Earth.
Fate can play funny tricks. Which is why Jack suddenly finds himself the planet’s best hope to unravel a conspiracy of galactic proportions that could spell the end of the human race. All Jack and his best friends, Natalie and Patrick, have to defeat an alien threat is their wits, a lot of coffee, and a rather snippy AI named Sheldon. Plus, their own spaceship.
After all, if you’re going to rescue the world, the least you can get out of it is your own spaceship."

Roadkill was a lot of fun. It’s entertaining, fast-paced, and packed with pop-culture references that kept me smiling. The plot is straightforward and definitely not deep, the characters are likable (if not very developed), there are plotholes and the worldbuilding is minimal; but that’s totally fine for what this book is: a light, easy, amusing read.
Jack, Natalie, and Patrick are a fun trio, and their banter with the snarky AI, Sheldon, adds a wonderfully playful, comedic touch. 

If you’re in the mood for something lighthearted and fast, Roadkill is a great pick. It’s not deep, but it’s not trying to be. 

Have you read Roadkill? Did you enjoy the ride, or do you have another fun, fast-paced sci-fi to recommend? I’d love to hear your thoughts!

Happy reading!
Helena

maandag 13 april 2026

Eowyn Ivey: Black Woods, Blue Sky

Hi everyone

Eowyn Ivey’s Black Woods, Blue Sky is her third book, and after adoring her first two (The Snow Child and To the Bright Edge of the World), I knew I had to buy it immediately. I treated myself to a copy from Bol using my birthday money.

"Birdie’s keeping it together; of course she is. So she’s a little hungover sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, but she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature.
Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie he represents everything she’s ever longed for. She finds herself falling for Arthur and the land he knows so well. Against the warnings of those who care about them, Birdie and Emaleen move to his isolated cabin in the mountains on the far side of the Wolverine River.
It’s just the three of them in the vast black woods, far from roads, telephones, electricity, and outside contact, but Birdie believes she has come prepared. At first, it’s idyllic, but soon Birdie discovers that Arthur is something much more mysterious and dangerous than she could have imagined, and that like the Alaska wilderness, a fairy tale can be as dark as it is beautiful." 

Black Woods, Blue Sky is a very difficult book to review. I had so many feelings and conflicting thoughts about it, and I’ve struggled to find the words to properly convey my experience.

Ivey’s writing is as atmospheric, captivating, and beautiful as ever. The Alaskan wilderness feels alive and is breathtaking, the sense of isolation, the intense emotions, the wildness, and the magical setting are written so vividly that you can almost feel you're there. 
But Birdie’s obsession with Arthur is where the book becomes deeply unsettling, and I’m not sure it was meant to be this way. Her infatuation grows at an alarming pace, and her actions are often shocking. She forces herself on Arthur sexually, she invites herself and her daughter to live with him without considering what’s best for Emaleen, and she repeatedly endangers her child in pursuit of a man she’s barely known for a year. There are so many red flags surrounding Arthur, and yet Birdie ignores them all, even after he nearly attacks Emaleen. She still chooses him over her daughter, expecting a cold, hungry, scared child to stay alone in the woods. Birdie’s longing for connection and escape is understandable, but her self-centeredness and neglectful parenting felt impossible to reconcile with a character we’re supposed to feel sorry for.

What makes this book so challenging is that Ivey doesn’t shy away from showing the consequences of Birdie’s choices. There’s a scene where Birdie longs to be away from her daughter; to be just herself; while simultaneously missing Emaleen and wanting to be with her. That inner conflict resonated with me deeply. But Birdie’s extreme neglect and reckless decisions crossed a line for me. It made me angry, even livid, because her choices endanger Emaleen repeatedly, and she never truly considers the harm she causes.
I also struggled with the ending. Arthur kills Birdie while in bear form, and it’s clear he doesn’t understand the human consequences of his actions. So why lock him up? It felt unfair and unnecessary. If Arthur wanted to live as a bear, why not let him go? The third part of the book, where Emaleen returns to the wilderness, was a perfect way to end the story and gave me some closure, but the handling of Arthur’s fate still bothered me.

This is not an easy read, and it’s not meant to be. Black Woods, Blue Sky is not a book I “enjoyed” in the traditional sense, but it’s one that will stay with me for a long time. 

If you have read Black Woods, Blue Sky; I’d love to hear your thoughts.

Happy reading!
Helena 

dinsdag 7 april 2026

Brian McClellan: The Autumn Republic

Hi everyone

The Autumn Republic is the epic conclusion to Brian McClellan’s Powder Mage trilogy, and I got my copy from Bol.com. After loving the first two books, I went into this one with high expectations; and girl, did it deliver.

"The capital has fallen...
Field Marshal Tamas returns to his beloved country to find that for the first time in history, the capital city of Adro lies in the hands of a foreign invader. His son is missing, his allies are indistinguishable from his foes, and reinforcements are several weeks away.
An army divided...
With the Kez still bearing down upon them and without clear leadership, the Adran army has turned against itself. Inspector Adamat is drawn into the very heart of this new mutiny with promises of finding his kidnapped son.
All hope rests with one...
And Taniel Two-shot, hunted by men he once thought his friends, must safeguard the only chance Adro has of getting through this war without being destroyed..."

What a conclusion. What an ending. What an absolutely amazing trilogy.
The Autumn Republic does not stop. From the very first page, it’s non-stop, full-steam-ahead action, and I loved every second of it. Brian McClellan ties up every thread perfectly, making this a very satisfying finale.

One of the biggest strengths of this series is its characters. I was especially thrilled that Nila got such a big role, her growth throughout the trilogy has been incredible, and her interactions with Bo were fun, thoughtful, and full of heart. But honestly? I loved every character and every story arc.
McClellan doesn’t overload you with too many POVs, so it’s easy to keep track of everyone. And because each character is so well-developed, you care deeply about all of them. They feel real, flawed, and deeply human.

McClellan’s writing is easy to read but impossible to put down. His style is straightforward and powerful, without any unnecessary fluff. I really appreciate that. There’s no overly flowery prose or meandering subplots; instead, you get tight, gripping action and real emotional depth.

The only negative I have is the recurring "deus ex machina" effect (characters or solutions arriving at just the perfect moment to save the day). It felt a bit too convenient at times and pulled me out of the story slightly. But honestly, that’s a small gripe in an otherwise perfect conclusion.

The Autumn Republic is a perfect conclusion to an amazing trilogy. It’s fast-paced, character-driven, and packed with heart, and a joy to read. 

Have you read the Powder Mage trilogy? Did you love it as much as I did? Or do you have another epic fantasy trilogy to recommend? I’d love to hear your thoughts!

Happy reading! 
Helena 

donderdag 2 april 2026

Wrap Up: March 2026

Hi everyone

Spring is finally here, and I can already feel the longer days and sunshine lifting my spirits, and, I suspect, yours too! 
I’ve been diving into some fantastic books lately, an old favorite, some new discoveries, and even one I had to let go of. 

Here’s a quick roundup of what I’ve been reading in March.

 - Shauna Lawless: The Children of Gods and Fighting Men 

- Neil Gaiman: The Graveyard Book 

- Robin Hobb: City of Dragons 

- Ilona Andrews: Magic Bleeds 

- Jen Williams: The Bitter Twins 

- Terry Pratchett: Thief of Time  

-Charles Dickens: Hard Times

- Lize Spit: Autobiografie van mijn lichaam  

Sadly, I had to quit a book I really didn't like.

- Simon Jimenez: The Spear Cuts Through Water 

What did you read in March? Any hidden gems I should add to my list?

Happy reading!
Helena 

woensdag 1 april 2026

Lize Spit: Autobiografie van mijn lichaam

Hi everyone

Today, I want to talk about Autobiografie van mijn lichaam (Autobiography of My Body) by Lize Spit. This Flemish novel hasn’t been translated into English yet, but it’s so powerful that I couldn’t not share my thoughts on it. If you’re open to discovering international literature, this is one to keep on your radar.
I got this one from our local library. They don't have a SFF section so I mostly go there for our children.

"Altijd als mijn ouders uitreiken: iets in mij wat naar binnen klapt, zoals een boksbal op de kermis uit de automaat tevoorschijn komt nadat er een munt wordt ingebracht, klaar om geramd te worden.
Eind 2021 krijgt Lize Spit een mailtje waarin haar moeder laat weten dat ze ongeneeslijk ziek is. Nu haar moeder nog maar kort te leven heeft, onderneemt Lize een laatste toenaderingspoging. Nooit eerder was het vinden van de juiste woorden zo lastig, nooit eerder was het zo noodzakelijk.
Autobiografie van mijn lichaam is een radicaal eerlijk en aangrijpend onderzoek van een dochter die niet alleen de moeizame relatie met haar moeder probeert te begrijpen, maar ook de verstoorde relatie tot haar eigen lichaam."

Autobiografie van mijn lichaam is an intimate, memoir-like novel where Lize Spit reflects on her life; her childhood, her relationship with her mother, and her own body. The book alternates between her mother’s terminal illness and flashbacks to her traumatic upbringing, creating a raw, emotional portrait of how past trauma shape the present.
What I loved most was how honest and self-critical Spit’s writing is. She doesn’t shy away from the ugly or painful truths. It’s eye-opening, relatable, and deeply moving. As someone who lives with chronic depression, I recognized much of myself in her writing. Her struggles and growth, her relationship with her body felt painfully familiar and incredibly validating. There’s something powerful about reading a book that puts words to experiences you’ve felt but couldn’t articulate.

While I really connected with the story, I struggled with the typical Flemish writing style. It often feels like Flemish and Dutch authors lean into vulgarity, not for depth or realism, but for shock value. The focus on the sexual body and very crude and vulgar language often felt unnecessary, as if it were there just to provoke rather than enhance the narrative. It’s a shame, because the emotional core of the book is so strong that it doesn’t need those elements to be impactful. 

Despite my frustration with the style, Autobiografie van mijn lichaam is a book that stays with you. It’s not an easy read, it’s painful, confrontational, and deeply personal,but it’s also brave and important. Spit’s willingness to confront her past and explore her relationship with her body makes this book a must-read for anyone who’s ever struggled with self-acceptance, trauma, or the weight of family.

Have you read any Flemish or Dutch books that left an impact on you?  I’d love to hear which ones!

Happy reading!
Helena 

maandag 30 maart 2026

Charles Dickens: Hard Times

Hi everyone

I’m nearing the end of my journey to read all of Charles Dickens’ books; a project inspired by my father, who counts Dickens among his favorite authors (alongside Terry Pratchett, Jim Butcher, P.G. Wodehouse and a few others). This time, I tackled Hard Times, one of Dickens’ shortest novels, on my e-reader.

"Coketown is dominated by the figure of Mr Thomas Gradgrind, school owner and model of Utilitarian success. Feeding both his pupils and his family with facts, he bans fancy and wonder from young minds. As a consequence his obedient daughter Louisa marries the loveless businessman and 'bully of humility' Mr Bounderby, and his son Tom rebels to become embroiled in gambling and robbery. And, as their fortunes cross with those of free-spirited circus girl Sissy Jupe and victimised weaver Stephen Blackpool, Gradgrind is eventually forced to recognise the value of the human heart in an age of materialism and machinery." 

Dickens captures the struggles of his time in a way that still feels relevant today, whether it’s inequality, education, or the cost of progress. I always enjoy the historical aspect; reading about their lives, these cities and life in general back then. Dickens manages to make the past feel truly alive.
Hard Times is a fascinating snapshot of the social conscience of the time and Dickens' ability to weave morality into storytelling. He doesn’t just tell a story, he exposes the cost of progress and the hollow morality of those who prioritize profit over people.
That said, it’s not an easy read. The prose is dense and demanding, and the social commentary can feel heavy-handed; even lecturing, at times. 
But there’s something so rewarding about pushing through it.

Have you read Hard Times? Do you have a favorite (or least favorite) Dickens novel? I’d love to hear your thoughts!

Happy reading!
Helena

zaterdag 28 maart 2026

Terry Pratchett: Thief of Time

Hi everyone

Thief of Time is Terry Pratchett’s 26th Discworld novel. I’ve owned the series for years and before that, I borrowed my father’s copies, so Pratchett’s world has been a constant companion for most of my life. This might have been my third time reading Thief of Time, and it was just as delightful as ever.

“Time is a resource.
Everyone knows it has to be managed.
And on Discworld that is the job of the Monks of History, who store it and pump it from the places where it's wasted (like underwater -- how much time does a codfish need?) to places like cities, where there's never enough time.
But the construction of the world's first truly accurate clock starts a race against, well, time, for Lu Tze and his apprentice Lobsang Ludd. Because it will stop time. And that will only be the start of everyone's problems.
Thief of Time comes complete with a full supporting cast of heroes and villains, yetis, martial artists and Ronnie, the fifth Horseman of the Apocalypse (who left before they became famous).” 

Thief of Time is classic Pratchett: witty, clever, and brimming with heart. The concept of time as a resource, managed by the Monks of History, is so brilliantly Pratchett. Only he could turn time itself into a bureaucratic nightmare and make it hilarious.
The characters are a joy, as always. Lu Tze, the sweeper-turned-hero, and his apprentice Lobsang Ludd are a perfect duo and their dynamic is one of the highlights of the book. And then there’s Ronnie, the fifth Horseman of the Apocalypse, who was an absolutely brilliant addition to the cast of characters.
The story is funny, clever, and surprisingly poignant, all at once.

What I love most about re-reading Pratchett is discovering new layers each time. The older I get, the more life experience I have, the more I’m able to see and interpret the story in different ways. 
If you’re new to Discworld, Thief of Time is a great place to jump in; it’s a standalone story but still rich with the magic that makes the whole series so special. 

Have you read Thief of Time? Did it make you laugh, think, or both? Do you have a favorite Discworld novel? I’d love to hear your thoughts!

Happy reading!
Helena 

dinsdag 24 maart 2026

Jen Williams: The Bitter Twins

Hi everyone 

The Bitter Twins is the second book in Jen WilliamsThe Winnowing Flame Trilogy, and I picked up my copy from Bol.com. After loving The Ninth Rain, I was eager to dive back into this world.

"The Ninth Rain has fallen, the Jure'lia have returned, and with Ebora a shadow of its former self, the old enemy are closer to conquering Sarn than ever.
Tormalin the Oathless and the Fell-Witch Noon have their hands full dealing with the first war-beasts to be born in Ebora for nearly three hundred years. But these are not the great mythological warriors of old; hatched too early and with no link to their past lives, the war-beasts have no memory of the many battles they have fought and won, and no concept of how they can possibly do it again. The key to uniting them, according to the scholar Vintage, may lie in a part of Sarn no one really believes exists, but finding it will mean a dangerous journey at a time of war...
Meanwhile, Hestillion is trapped on board the corpse moon, forced into a strange and uneasy alliance with the Jure'lia queen. Something terrifying is growing up there, in the heart of the Behemoth, and the people of Sarn will have no defence against these new monsters." 

The Bitter Twins was good but not as good as The Ninth Rain, the first book in The Winnowing Flame Trilogy. 

The plot in The Bitter Twins felt less tight than in The Ninth Rain. There were a few moments where events felt too perfectly timed, too coincidental, or just too obvious, which pulled me out of the story. It lacked the seamless flow that made the first book so gripping.
Another issue was Tor’s characterization. In The Ninth Rain, he was caring, funny, and layered, but here, he felt reduced to a moping, one-dimensional figure. It was disappointing to see such a vibrant character become so flat.
And a minor but aggravating detail: the number of times Noon, Tor, or others held up Vintage as some kind of moral compass. She’s not a saint, and the repetitive praise felt unearned and irritating after a while.

Despite those issues, I flew through this book and I enjoyed it a lot. Jen Williams’ writing is effortless to read, and I love the world and magic she’s created. The warbeasts are fantastic, each with unique personalities that make them stand out. Noon grew on me in this book, and I appreciate her development as a character.
Hestillion’s character arc was a highlight. She owns her choices and understands her motivations, which makes her one of the most compelling characters in the series. I also loved the distinct voices of all the characters; each one feels unique and fully realized.
The history revelations were surprising and intriguing, and I’m curious to see how they’ll impact everyone in the next book. 
And the action scenes? Absolutely fantastic. Williams delivers when it comes to tense, exciting battles and high-stakes moments.

The Bitter Twins wasn’t as strong as The Ninth Rain, but it still kept me hooked. The world, magic, and action are as captivating as ever, and I’m excited to see how everything wraps up in the final book. If you loved the first book in the series, this one is still very much worth reading; just be prepared for a book that's definitely not as good as the previous one.

Have you read The Bitter Twins? Did you feel the same way, or did it grab you more than it did me? I’d love to hear your thoughts!

Happy reading!
Helena 

dinsdag 17 maart 2026

Ilona Andrews: Magic Bleeds

Hi everyone

Magic Bleeds is the fourth book in the Kate Daniels series by writing duo Ilona Andrews.
I read this on my e-reader.

"Kate Daniels works for the Order of the Knights of Merciful Aid, officially as a liaison with the mercenary guild. Unofficially, she cleans up the paranormal problems no one else wants to handle—especially if they involve Atlanta’s shapeshifting community.
When she’s called in to investigate a fight at the Steel Horse, a bar midway between the territories of the shapeshifters and the necromancers, Kate quickly discovers there’s a new player in town. One who’s been around for thousands of years—and rode to war at the side of Kate’s father.
This foe may be too much even for Kate and Curran, the Lord of the Beasts, to handle. Because this time, Kate will be taking on family...." 

This was a whole lot of fun!

Ilona Andrews excels at blending humor, romance, and action, and Magic Bleeds delivers on all fronts. The worldbuilding is rich, the characters are compelling, and the plot twists keep you glued to the page. From page one, I was on the edge of my seat, trying to figure out where the story would go next. The dynamic between Kate and Curran is perfect; full of tension, humor, and heart, but never too sappy. 

If you’re looking for a series that balances kickass action with deep lore and slow-burn romance, Magic Bleeds is a must-read. I couldn’t put it down, and now I’m eager to dive into the next book!

Have you read Magic Bleeds? Did you love it as much as I did, or are you new to the Kate Daniels series? I’d love to hear your thoughts!

Happy reading!
Helena