maandag 11 mei 2026

Rebecca Yarros: Fourth Wing

Hi everyone

Fourth Wing; the first book in The Empyrean series by Rebecca Yarros, has been everywhere lately. Even though I’m always skeptical of hyped books, I like to try them for myself and see if the buzz is justified. So, I decided to read it on my e-reader.

"Twenty-year-old Violet Sorrengail was supposed to enter the Scribe Quadrant, living a quiet life among books and history. Now the commanding general—also known as her tough-as-talons mother—has ordered Violet to join the hundreds of candidates striving to become the elite of Navarre: dragon riders. 
But when you’re smaller than everyone else and your body is brittle, death is only a heartbeat away...because dragons don’t bond to “fragile” humans; they incinerate them. With fewer dragons willing to bond than cadets, most would kill Violet to better their chances of success. The rest would kill her just for being her mother’s daughter—like Xaden Riorson, the most powerful and ruthless wingleader in the Riders Quadrant. She’ll need every edge her wits can give her just to see the next sunrise.
Yet with every day that passes, the war outside grows deadlier; the kingdom's protective wards are failing; and the death toll continues to rise. Even worse, Violet begins to suspect leadership is hiding a terrible secret."
 

This book is marketed as New Adult (ages 18–29), but I’d argue it feels more like Young Adult (ages 12–18) in terms of story, language, and characters (except for the sex scenes, which push it into the NA category).
But here’s the thing: this book is just… not good.

First, the plot feels like a copy-paste of Divergent, Harry Potter, and The Hunger Games. I didn’t find anything original here. There are so many questionable plotlines that pulled me out of the story: Why train the children of traitors to be competent soldiers? What kind of stupid decision is that?
How convenient that Violet has a super rare signet and bonds with two super special dragons; something never heard of before. And of course, one of those dragons is bonded to Xaden, because of course it is. I hate when characters are just “the chosen one” or “the special one”, it feels lazy and unearned.
Violet is supposed to have a weak, brittle body due to chronic pain, but she somehow accomplishes all these physical challenges without much issue. I appreciate that Rebecca Yarros included a character with chronic pain, but it’s only mentioned in passing; never explored in a way that shows how it actually complicates her life and movements. This isn’t how you raise awareness for disability; it’s how you use it as a superficial trait.

Second, the writing is inconsistent both in style and timeline and there’s absolutely no worldbuilding.
The characters are one-dimensional and read like teenagers. They’re also complete copies of characters from other books (Divergent, A Court of Thorns and Roses). And from the moment Violet meets Xaden, you already know exactly how this will play out. There’s never a surprise in this book.
I did like the dragons and their dialogue, though that was one bright spot in an otherwise frustrating read.

And lastly, the book hyperfocuses on Violet’s physical and sexual attraction to Xaden. Every page, she’s thinking about him, yearning for his touch, his body, his breath. It’s honestly nauseating. And from the start, there’s this weird sexual tension triangle with Dain added to the mix. If this is typical for Romantasy novels, then the genre is not for me, because I hated this.

Have you read Fourth Wing? Did you love it, or did you feel the same way I did? I’d love to hear your thoughts!

Happy reading!
Helena 

About me

Hi everyone

I just edited the 'About me' section and I wanted to post the new text here too because you might not scroll so far to read it.

            * * * * * 

Hi everyone

Ever since I can remember, I’ve loved reading. There’s something magical about every part of it; owning books, organizing them, diving into their pages, admiring their covers, rereading old favorites, talking about them endlessly, researching new ones, and seeing them lined up on my shelves. Books have always been a source of joy, comfort, and adventure for me.

I’m not a professional; I didn’t study literature or languages, and I don’t claim to have all the answers about the books I read. But what I do have is a deep love for stories and the people who write them. My hope is to share that love with others, to pay it forward, and to connect with fellow book lovers who feel the same way.

Since I’m from Belgium, my native language is Dutch, not English, so please keep that in mind while reading my blog. I’ll do my best to share my thoughts clearly, but I know my writing might not always be perfect.

And I’d love to hear from you; which books should I read next? What are your favorites? Let’s swap recommendations and discover new stories together!

If you’d like, you can connect with me on:
- Goodreads
- Bluesky

I hope you enjoy this blog, and happy reading!
Helena  

woensdag 6 mei 2026

Lara Taveirne: De kinderen van Calais

Hi everyone

I just finished De kinderen van Calais by a Belgian author; Lara Taveirne. This book, as far as I know, has never been translated into English. I borrowed my copy from our local library, and it left me with very mixed feelings.

"Wissant, Noord-Frankrijk, de jaren zestig. Urenlang gingen ze gebukt op zoek naar de mooiste schelpen. Ze konden gelijktijdig en achterwaarts over de golven duiken. Ze hadden allebei een kamer waar je de zee kon horen ruisen, als de wind goed zat. Lilith en Violaine waren wat men noemt hartsvriendinnen. Onafscheidelijk. Samen kochten ze hun eerste bikini. En het was hand in hand dat ze naar de rand liepen.
Cap Blanc Nez, 1976. Beneden aan de kliffen wordt Violaine gevonden. 135 meter hoger staan twee boekentassen.
De kinderen van Calais is een debuut van zelden geziene ambitie. De auteur ontleedt en amputeert liefde in al haar facetten: moederliefde, zussenliefde, naastenliefde. Allesverterende liefde. De suizende tragiek van dit verhaal, als in een val van 135 meter hoog, doet voortdurend naar adem happen en heeft maar één vraag: hoe dicht kun je bij iemand komen zonder jezelf te verliezen?"
 

I feel as if De kinderen van Calais was written by two different writers at the same time.
There’s one writer who makes me care deeply for the characters, who crafts beautiful, poetic sentences, and who creates well-rounded, realistic characters that make you reflect on life, love, and loss. This writer draws you in with their emotional depth and lyrical prose, making you feel the tragedy of Lilith and Violaine’s story and life.
But then there’s another writer too, one who feels crude, crass and vulgar, who writes a boring, surface-level story that lacks depth. This writer mess up the plot, overloads the text with too many adjectives, and creates one-dimensional characters that fail to resonate.

It’s frustrating to see such potential in this book, only to have it undermined by its own inconsistencies. The beautiful moments are truly stunning, but they’re buried under layers of clutter that detract from the experience; the tragedy of the story and these people's lives.

Have you read De kinderen van Calais? Or have you come across a book that made you feel similar? I’d love to hear your thoughts!

Happy reading!
Helena 

zaterdag 2 mei 2026

Wrap Up: April 2026

Hi everyone

April was a month of contrasts. There was stress, sleepless nights, anxiety, and bleak moods; but there were also wonderful moments with my husband and children, more sun than I expected, the spring flowers (always make me happy), and the promise of a new start. Through it all, I read a lot (the upside of having trouble sleeping, I suppose)! 😊 Honestly, this was a great reading month. I stumbled upon some really, really good books that made everything feel a little lighter. And that was much needed. 

Here's what I read in April:

- Brian McClellan: The Autumn Republic 

- Jonice Webb: Running on Empty 

- Eowyn Ivey: Black Woods, Blue Sky 

- Dennis E. Taylor: Roadkill  

- Jim Butcher: Twelve Months  

- Ernest Hemingway: The Torrents of Spring 

- Jonice Webb: Running on Empty No More 

- John Gwynne: The Fury of the Gods

- Naomi Alderman: The Power 

What did you read in April?  I’d love to hear about your books. Let’s swap recommendations!

Happy reading!
Helena 

vrijdag 1 mei 2026

Naomi Alderman: The Power

Hi everyone

I just finished The Power by Naomi Alderman; her most popular novel, and after enjoying The Future, I knew I had to read this one too.
I read this on my e-reader.

"In The Power the world is a recognizable place: There's a rich Nigerian boy who lounges around the family pool; a foster kid whose religious parents hide their true nature; an ambitious American politician; and a tough London girl from a tricky family. But then a vital new force takes root and flourishes, causing their lives to converge with devastating effect. Teenage girls now have immense physical power: They can cause agonizing pain and even death. With this small twist of nature, the world drastically resets."

I thoroughly enjoyed The Power, but it was also a deeply unsettling journey. Alderman flips gender roles and gender dynamics in a way that’s both fascinating and horrifying. The premise is simple but the ripple effects across the whole world are chilling and terrifying. Every act of brutality or dehumanization towards women in the history of humanity is returned and revenged.
The characters are vivid and complex, each offering a unique perspective on how this new power changes society. Alderman doesn’t hold back in showing how power corrupts, not a specific gender, and how quickly the world can change when the balance shifts.

I enjoyed the first half more, where we discover this new power and watch as women begin to stand up. The second half, where society collapses entirely, felt less compelling to me. The misuse of power, mindless violence, and aggression didn’t land as strongly, and some of the character perspectives that were fascinating at first became less engaging as the story progressed. Others, which started less interesting, gained depth later. Many of the characters verged on clichés or stereotypes, and there wasn’t much depth to them beyond their role in advancing the plot. Additionally, the global rebellion felt too fast to be realistic; the world changed too quickly for me to fully buy into it.

Despite its flaws, The Power lingers in your mind long after you’ve finished it. I loved how thought-provoking it was, and it deeply unsettled me. It’s the kind of book that makes you see the world differently, and that’s exactly why it’s so good. But it’s also oversimplified, both in story and characters.

Have you read The Power? Did it leave you as unsettled as it did me, or did you see it differently? I’d love to hear your thoughts!

Happy reading!
Helena 

donderdag 30 april 2026

John Gwynne: The Fury of the Gods

Hi everyone

I finished John Gwynne's The Fury of the Gods yesterday and I have to talk/gush about it. This is the third and final book in The Bloodsworn Saga and I got my copy from Bol

"THE FINAL BATTLE FOR THE FATE OF VIGRIÐ APPROACHES
Varg has overcome the trials of his past and become an accepted member of the Bloodsworn, but now he and his newfound comrades face their biggest challenge yet: slaying a dragon.
Elvar is struggling to consolidate her power in Snakavik, where she faces threats from within and without. As she fights to assert her authority in readiness for the coming conflict, she faces a surely insurmountable task: reining in the ferocity of a wolf god.
As Biorr and his warband make their way north, eager for blood, Gudvarr pursues a mission of his own, hoping to win Lik-Rifa's favour and further his own ambitions.
All paths lead to Snakavik, where the lines are being drawn for the final battle - a titanic clash that will shake the foundations of the world, and bear witness to the true fury of the gods."

This was such a satisfying conclusion. I loved it from start to finish. 

The Fury of the Gods delivers everything you’d expect from a Gwynne finale: brutal battles, heart-wrenching deaths, and a fantastic climax. 
The action is relentless, and Gwynne’s talent for writing action-scenes and battles in particular shines through every time. He doesn’t shy away from the cost of war, and its emotional toll on the characters. 

Each character’s arc feels satisfying, their motivations (whether noble or selfish) drive the story forward. The final confrontations are everything I hoped for, with shocking deaths I didn’t see coming. I mean, quite a few people die who I didn’t want to die! The worldbuilding remains rich, alive, and immersive, and there was one scene where Elvar makes a crucial decision that brought tears to my eyes.
 
This series is perfection in every way.

If you loved The Shadow of the Gods and The Hunger of the Gods, The Fury of the Gods won’t disappoint. It maintains The Bloodsworn Saga’s signature blend of Norse-inspired mythology, brutal action, and deep character work. 
Whatever John Gwynne writes, I'll buy it and I'll read it. I'm a huge fan of his works.

Have you read Fury of the Gods? Did you love the finale, or did you wish for something more? I’d love to hear your thoughts!

Happy reading!
Helena 

maandag 20 april 2026

Jim Butcher: Twelve Months

Hi everyone

Twelve Months is the 18th book in The Dresden Files by Jim Butcher. I don’t own this one yet (I’ll be buying my own copy once it’s published in the same edition as the rest of my collection), but my dad kindly lent me his after we talked about our shared love for this series. 

"One year. 365 days. Twelve months.
Harry Dresden has been through a lot, and so has his city. After Harry and his allies narrowly managed to save Chicago from being razed, everything is different—and it’s not just the current lack of electricity.
Harry lost people he cared about in the battle, and that’s the kind of loss that takes a toll. Harry being Harry, he’s doing his best to help the city and his friends recover and rebuild, but it’s a heavy load. He needs time.
Time is one thing Harry doesn’t have, however. Ghouls are prowling Chicago and killing innocent civilians. Harry’s brother is dying, and Harry doesn’t know how to help him. And last but certainly not least, the Winter Queen of the Fae has allied with the White Court of vampires—and Harry’s been betrothed to the seductive, deadly vampire Lara Raith to seal the deal.
It’s been a tough year. More than ever, the city needs Harry Dresden the wizard—but after loss and grief, is there enough left of him to rise to the challenge?"

Twelve Months is very different from the previous books in The Dresden Files. The series has gradually changed and grown over the years. Each book gets darker, the stakes get higher, and the scope expands. Where the early books often felt like fun, action-packed standalone adventures, we’re now at a point where you can’t fully grasp what’s happening without the context of the entire series.
This book is all about what happens after. It follows the destruction of Chicago, the loss of loved ones, and the shattered friendships left in the wake of the previous battle in the 17th book Battle Ground. Harry Dresden is clearly suffering from PTSD, and the story focuses on grief, healing, and the slow, painful process of rebuilding, both personally and the city. It’s contemplative, reflective, and at times downhearted, even hopeless. There were moments that brought tears to my eyes, not just because of the emotional weight, but because of how real it all felt.
As someone who has struggled with depression, Harry’s journey resonated deeply with me. The way he drags himself through each day, the weight of his depression/grief, and the effort it takes just to keep going, it all felt painfully familiar. I think this was a perfect novel to follow up the big battle in Battle Ground. It doesn’t rush the healing process; it acknowledges that recovery takes time, and that’s refreshing and honest. A lot of novels don't even talk about the aftermath of total destruction, instead by the next book nothing is ruined and everyone has healed. Not here; Jim Butcher gives us this insight into his characters.

That said, I struggled with the extreme focus on Harry’s grief for Murphy. While it’s understandable that her loss hits him hard, it felt too narrow. Harry lost so many people in that battle; friends, allies, innocent civilians, his home and his city; yet the story centers almost exclusively on Murphy. The destruction of Chicago, the trauma of the common people, and the loss of other loved ones feel sidelined, and that didn’t sit right with me. It made his grief feel unbalanced, as if only one loss mattered above all others.
Still, I loved seeing the side characters again and watching how they’re healing alongside Harry. The overarching storyline does move forward, and there’s plenty of action, just on a smaller, more personal scale. The book never gets boring, even in its quieter moments.

Have you read Twelve Months? Did you connect with Harry’s journey, or did you feel the same frustration with the focus on Murphy? I’d love to hear your thoughts!

Happy reading!
Helena 

dinsdag 14 april 2026

Dennis E. Taylor: Roadkill

Hi everyone

Roadkill is a standalone science-fiction novel by Dennis E. Taylor. I read this on my e-reader.

"Jack Kernigan is having a bad day...a bad year...a bad life. After being booted out of MIT, he’s back in his Ohio hometown, working for the family business, facing a life of mediocrity. Then one day, out on a delivery, his truck hits...something. Something big...something furry...something invisible. And, it turns out, something not of this Earth.
Fate can play funny tricks. Which is why Jack suddenly finds himself the planet’s best hope to unravel a conspiracy of galactic proportions that could spell the end of the human race. All Jack and his best friends, Natalie and Patrick, have to defeat an alien threat is their wits, a lot of coffee, and a rather snippy AI named Sheldon. Plus, their own spaceship.
After all, if you’re going to rescue the world, the least you can get out of it is your own spaceship."

Roadkill was a lot of fun. It’s entertaining, fast-paced, and packed with pop-culture references that kept me smiling. The plot is straightforward and definitely not deep, the characters are likable (if not very developed), there are plotholes and the worldbuilding is minimal; but that’s totally fine for what this book is: a light, easy, amusing read.
Jack, Natalie, and Patrick are a fun trio, and their banter with the snarky AI, Sheldon, adds a wonderfully playful, comedic touch. 

If you’re in the mood for something lighthearted and fast, Roadkill is a great pick. It’s not deep, but it’s not trying to be. 

Have you read Roadkill? Did you enjoy the ride, or do you have another fun, fast-paced sci-fi to recommend? I’d love to hear your thoughts!

Happy reading!
Helena

maandag 13 april 2026

Eowyn Ivey: Black Woods, Blue Sky

Hi everyone

Eowyn Ivey’s Black Woods, Blue Sky is her third book, and after adoring her first two (The Snow Child and To the Bright Edge of the World), I knew I had to buy it immediately. I treated myself to a copy from Bol using my birthday money.

"Birdie’s keeping it together; of course she is. So she’s a little hungover sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, but she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature.
Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie he represents everything she’s ever longed for. She finds herself falling for Arthur and the land he knows so well. Against the warnings of those who care about them, Birdie and Emaleen move to his isolated cabin in the mountains on the far side of the Wolverine River.
It’s just the three of them in the vast black woods, far from roads, telephones, electricity, and outside contact, but Birdie believes she has come prepared. At first, it’s idyllic, but soon Birdie discovers that Arthur is something much more mysterious and dangerous than she could have imagined, and that like the Alaska wilderness, a fairy tale can be as dark as it is beautiful." 

Black Woods, Blue Sky is a very difficult book to review. I had so many feelings and conflicting thoughts about it, and I’ve struggled to find the words to properly convey my experience.

Ivey’s writing is as atmospheric, captivating, and beautiful as ever. The Alaskan wilderness feels alive and is breathtaking, the sense of isolation, the intense emotions, the wildness, and the magical setting are written so vividly that you can almost feel you're there. 
But Birdie’s obsession with Arthur is where the book becomes deeply unsettling, and I’m not sure it was meant to be this way. Her infatuation grows at an alarming pace, and her actions are often shocking. She forces herself on Arthur sexually, she invites herself and her daughter to live with him without considering what’s best for Emaleen, and she repeatedly endangers her child in pursuit of a man she’s barely known for a year. There are so many red flags surrounding Arthur, and yet Birdie ignores them all, even after he nearly attacks Emaleen. She still chooses him over her daughter, expecting a cold, hungry, scared child to stay alone in the woods. Birdie’s longing for connection and escape is understandable, but her self-centeredness and neglectful parenting felt impossible to reconcile with a character we’re supposed to feel sorry for.

What makes this book so challenging is that Ivey doesn’t shy away from showing the consequences of Birdie’s choices. There’s a scene where Birdie longs to be away from her daughter; to be just herself; while simultaneously missing Emaleen and wanting to be with her. That inner conflict resonated with me deeply. But Birdie’s extreme neglect and reckless decisions crossed a line for me. It made me angry, even livid, because her choices endanger Emaleen repeatedly, and she never truly considers the harm she causes.
I also struggled with the ending. Arthur kills Birdie while in bear form, and it’s clear he doesn’t understand the human consequences of his actions. So why lock him up? It felt unfair and unnecessary. If Arthur wanted to live as a bear, why not let him go? The third part of the book, where Emaleen returns to the wilderness, was a perfect way to end the story and gave me some closure, but the handling of Arthur’s fate still bothered me.

This is not an easy read, and it’s not meant to be. Black Woods, Blue Sky is not a book I “enjoyed” in the traditional sense, but it’s one that will stay with me for a long time. 

If you have read Black Woods, Blue Sky; I’d love to hear your thoughts.

Happy reading!
Helena 

dinsdag 7 april 2026

Brian McClellan: The Autumn Republic

Hi everyone

The Autumn Republic is the epic conclusion to Brian McClellan’s Powder Mage trilogy, and I got my copy from Bol.com. After loving the first two books, I went into this one with high expectations; and girl, did it deliver.

"The capital has fallen...
Field Marshal Tamas returns to his beloved country to find that for the first time in history, the capital city of Adro lies in the hands of a foreign invader. His son is missing, his allies are indistinguishable from his foes, and reinforcements are several weeks away.
An army divided...
With the Kez still bearing down upon them and without clear leadership, the Adran army has turned against itself. Inspector Adamat is drawn into the very heart of this new mutiny with promises of finding his kidnapped son.
All hope rests with one...
And Taniel Two-shot, hunted by men he once thought his friends, must safeguard the only chance Adro has of getting through this war without being destroyed..."

What a conclusion. What an ending. What an absolutely amazing trilogy.
The Autumn Republic does not stop. From the very first page, it’s non-stop, full-steam-ahead action, and I loved every second of it. Brian McClellan ties up every thread perfectly, making this a very satisfying finale.

One of the biggest strengths of this series is its characters. I was especially thrilled that Nila got such a big role, her growth throughout the trilogy has been incredible, and her interactions with Bo were fun, thoughtful, and full of heart. But honestly? I loved every character and every story arc.
McClellan doesn’t overload you with too many POVs, so it’s easy to keep track of everyone. And because each character is so well-developed, you care deeply about all of them. They feel real, flawed, and deeply human.

McClellan’s writing is easy to read but impossible to put down. His style is straightforward and powerful, without any unnecessary fluff. I really appreciate that. There’s no overly flowery prose or meandering subplots; instead, you get tight, gripping action and real emotional depth.

The only negative I have is the recurring "deus ex machina" effect (characters or solutions arriving at just the perfect moment to save the day). It felt a bit too convenient at times and pulled me out of the story slightly. But honestly, that’s a small gripe in an otherwise perfect conclusion.

The Autumn Republic is a perfect conclusion to an amazing trilogy. It’s fast-paced, character-driven, and packed with heart, and a joy to read. 

Have you read the Powder Mage trilogy? Did you love it as much as I did? Or do you have another epic fantasy trilogy to recommend? I’d love to hear your thoughts!

Happy reading! 
Helena 

donderdag 2 april 2026

Wrap Up: March 2026

Hi everyone

Spring is finally here, and I can already feel the longer days and sunshine lifting my spirits, and, I suspect, yours too! 
I’ve been diving into some fantastic books lately, an old favorite, some new discoveries, and even one I had to let go of. 

Here’s a quick roundup of what I’ve been reading in March.

 - Shauna Lawless: The Children of Gods and Fighting Men 

- Neil Gaiman: The Graveyard Book 

- Robin Hobb: City of Dragons 

- Ilona Andrews: Magic Bleeds 

- Jen Williams: The Bitter Twins 

- Terry Pratchett: Thief of Time  

-Charles Dickens: Hard Times

- Lize Spit: Autobiografie van mijn lichaam  

Sadly, I had to quit a book I really didn't like.

- Simon Jimenez: The Spear Cuts Through Water 

What did you read in March? Any hidden gems I should add to my list?

Happy reading!
Helena 

woensdag 1 april 2026

Lize Spit: Autobiografie van mijn lichaam

Hi everyone

Today, I want to talk about Autobiografie van mijn lichaam (Autobiography of My Body) by Lize Spit. This Flemish novel hasn’t been translated into English yet, but it’s so powerful that I couldn’t not share my thoughts on it. If you’re open to discovering international literature, this is one to keep on your radar.
I got this one from our local library. They don't have a SFF section so I mostly go there for our children.

"Altijd als mijn ouders uitreiken: iets in mij wat naar binnen klapt, zoals een boksbal op de kermis uit de automaat tevoorschijn komt nadat er een munt wordt ingebracht, klaar om geramd te worden.
Eind 2021 krijgt Lize Spit een mailtje waarin haar moeder laat weten dat ze ongeneeslijk ziek is. Nu haar moeder nog maar kort te leven heeft, onderneemt Lize een laatste toenaderingspoging. Nooit eerder was het vinden van de juiste woorden zo lastig, nooit eerder was het zo noodzakelijk.
Autobiografie van mijn lichaam is een radicaal eerlijk en aangrijpend onderzoek van een dochter die niet alleen de moeizame relatie met haar moeder probeert te begrijpen, maar ook de verstoorde relatie tot haar eigen lichaam."

Autobiografie van mijn lichaam is an intimate, memoir-like novel where Lize Spit reflects on her life; her childhood, her relationship with her mother, and her own body. The book alternates between her mother’s terminal illness and flashbacks to her traumatic upbringing, creating a raw, emotional portrait of how past trauma shape the present.
What I loved most was how honest and self-critical Spit’s writing is. She doesn’t shy away from the ugly or painful truths. It’s eye-opening, relatable, and deeply moving. As someone who lives with chronic depression, I recognized much of myself in her writing. Her struggles and growth, her relationship with her body felt painfully familiar and incredibly validating. There’s something powerful about reading a book that puts words to experiences you’ve felt but couldn’t articulate.

While I really connected with the story, I struggled with the typical Flemish writing style. It often feels like Flemish and Dutch authors lean into vulgarity, not for depth or realism, but for shock value. The focus on the sexual body and very crude and vulgar language often felt unnecessary, as if it were there just to provoke rather than enhance the narrative. It’s a shame, because the emotional core of the book is so strong that it doesn’t need those elements to be impactful. 

Despite my frustration with the style, Autobiografie van mijn lichaam is a book that stays with you. It’s not an easy read, it’s painful, confrontational, and deeply personal,but it’s also brave and important. Spit’s willingness to confront her past and explore her relationship with her body makes this book a must-read for anyone who’s ever struggled with self-acceptance, trauma, or the weight of family.

Have you read any Flemish or Dutch books that left an impact on you?  I’d love to hear which ones!

Happy reading!
Helena 

maandag 30 maart 2026

Charles Dickens: Hard Times

Hi everyone

I’m nearing the end of my journey to read all of Charles Dickens’ books; a project inspired by my father, who counts Dickens among his favorite authors (alongside Terry Pratchett, Jim Butcher, P.G. Wodehouse and a few others). This time, I tackled Hard Times, one of Dickens’ shortest novels, on my e-reader.

"Coketown is dominated by the figure of Mr Thomas Gradgrind, school owner and model of Utilitarian success. Feeding both his pupils and his family with facts, he bans fancy and wonder from young minds. As a consequence his obedient daughter Louisa marries the loveless businessman and 'bully of humility' Mr Bounderby, and his son Tom rebels to become embroiled in gambling and robbery. And, as their fortunes cross with those of free-spirited circus girl Sissy Jupe and victimised weaver Stephen Blackpool, Gradgrind is eventually forced to recognise the value of the human heart in an age of materialism and machinery." 

Dickens captures the struggles of his time in a way that still feels relevant today, whether it’s inequality, education, or the cost of progress. I always enjoy the historical aspect; reading about their lives, these cities and life in general back then. Dickens manages to make the past feel truly alive.
Hard Times is a fascinating snapshot of the social conscience of the time and Dickens' ability to weave morality into storytelling. He doesn’t just tell a story, he exposes the cost of progress and the hollow morality of those who prioritize profit over people.
That said, it’s not an easy read. The prose is dense and demanding, and the social commentary can feel heavy-handed; even lecturing, at times. 
But there’s something so rewarding about pushing through it.

Have you read Hard Times? Do you have a favorite (or least favorite) Dickens novel? I’d love to hear your thoughts!

Happy reading!
Helena